Immersing an audience in an environment opens up a wealth of storytelling possibilities. When we become a part of an experience – rather than simply being a viewer – what challenges does this present? What are the limitations? If a viewer’s gaze can’t be controlled, how does the narrative change? Analysing their own approaches to VR storytelling, a panel of creators examine how non-linear storylines can be made, shared and enjoyed in a 360 environment, focusing on new cinematic structures and audience interaction.

Traditional forms of journalism can often provide a barrier between subject and audience. But what happens if we immerse viewers in the action? VR journalism provides the opportunity to experience a situation like never before, challenging a viewer to question a story from another perspective and encouraging empathy. In this session, a panel of documentary and VR practitioners address the ways in which VR is changing how information is delivered, as well as considering what this means for factual formats and the role of the media.

Sound is crucial to any filmmaking. But with the rise of VR, what new challenges exist? Audiences are invited to explore the theoretical and practical issues surrounding immersive and interactive sound. Panellists will outline a creative methodology informed by various creative practices – including soundscape studies, acoustic ecology, game audio, film sound, installations and acousmatic / electroacoustic music. This session is a must-attend for anyone interested in how virtual worlds connect to soundscapes.

In a world where 360 technology is readily available, anyone can be a creator, moving into new worlds of unprecedented possibility? But how does the process differ from traditional film formats? What approaches need to be taken to successfully capture an all-encircling environment? Sharing their knowledge of working with new technologies, a panel of pioneering filmmakers discuss their approaches to making seamless 360 content, highlighting the technical challenges as well as the possibilities.

As VR technologies continue to develop, users are invited into alternative worlds where they can be whoever they want and do whatever they like. But as we delve deeper into a new digital existence, what questions should we be asking about how this technology is being used? In this discussion, experts in the field tackle the consequences of life in VR, considering its effect on morality, trauma and user privacy as well as the illusions of choice in generated experiences. At what point do we cross the line ethically?

The film and gaming industries are already seeing huge benefits from VR and 360 applications. But these technologies are starting to move beyond entertainment. How can they be developed for positive implementation across medial care, rehabilitation, education and beyond? Will VR be applied to more destructive means such as military use, or will it be used for further surveillance in an ever more security conscious world? A panel of practitioners explore the potential for both positive and negative uses.