Unlimited Screening Pass
Valid for all 5 days of the Festival
The Unlimited Screening Pass grants you access to all screenings at all venues on every day of the Festival.
After ordering, you will be sent a receipt to collect your tickets and passes at the ASFF Festival Hub, Visit York, 1 Museum Street, York YO1 7DT, from 7 – 12 November. Please bring your receipt with you.
Please Note: All seating at screenings is allocated on a first-come, first-served basis. Seating is not reserved at screenings, and a Festival Pass or ticket does not guarantee you a seat at your chosen screening. If you would like to go to a particular screening, it is advised to arrive early.
The Unlimited Screening Pass grants you access to all screenings at all venues on every day of the Festival.
The Two Day Pass grants you access to all screenings on any two days. Choose your days upon collection.
The Wednesday Screening Pass grants you access to all screenings at all venues on Wednesday 8 November.
The Thursday Screening Pass grants you access to all screenings at all venues on Thursday 9 November.
The Friday Screening Pass grants you access to all screenings at all venues on Friday 10 November.
The Saturday Screening Pass grants you access to all screenings at all venues on Saturday 11 November.
The Sunday Screening Pass grants you access to all screenings at all venues on Sunday 12 November.
The Single Screening Ticket admits you to any one screening of your choice on any day.
Our Industry Sessions bring together leaders from across the film sector. Hear directly from representatives of Industrial Light & Magic, The Association of Camera Operators, BBC, Seed Animation and many more. Topics range from directing, funding and producing to editing, cinematography and visual effects. Gain top advice directly from those shaping the film world today, expand your professional network and explore talent development opportunities.
Eliot Carroll, (Tinderflint TV) whose previous clients include Yves Saint Laurent, Universal, Jaguar and Adidas, delves into the world of branded content, revealing how to keep the client happy whilst developing exciting ideas. This session will offer direct advice on how to collaborate with brands and how to get your project noticed.
Festival Formula’s Katie McCullough has over 10 years of international festival submission experience. McCullough will explore the current film festival landscape, advising you on how to establish your profile on the competitive festival circuit. Moreover, she will offer effective strategies to maximise your film budget for festival submissions.
Anne Edyvean, Head of BBC Writersroom, provides an informative view into the world of screenwriting. With a wealth of experience in a department that welcomes a myriad of genres that range from drama to children’s television, Edyvean offers audiences advice about developing sources of initial inspiration into compelling dialogues.
Howard Bargroff is a BAFTA-winning and Primetime Emmy-nominated re-recording mixer from Sonorouspost. His credits include The Night Manager, Tinker Tailor Solider Spy, Sherlock, Broadchurch, Guerrilla and Luther. Bargroff will discuss the synergistic role that sound plays in storytelling and will look at how it interacts with the visuals on screen.
Andi Osho is an award-winning writer, performer, comedian and director, whose credits include Psychoville, Waking the Dead, Live At The Apollo and Mock The Week. Osho discusses multifaceted careers, from getting started in the industry to transitions into different disciplines, as well as her future plans for the short film Amber, which screens at the festival.
Compulsory is a London based production company who house a roster of international directors for the UK. Their directors have produced a wide variety of work ranging from music videos, branded content, short and long form narrative. The team will reflect on the process of how they sign and represent up-and-coming directors.
Lauren Houlton, Events Programmer at Jerwood Visual Arts and Steven Bode, Director at Film and Video Umbrella, will lead an informative session on the interdisciplinary nature of artists’ film. They will discuss the Jerwood/FVU Awards, a collaboration between them and the works that have been commissioned as part of the initiative.
The Association of Camera Operators are back to host this popular industry session. Members of the Association have worked on films including, Avengers: Age of Ultron, Fantastic Beasts and Where to Find Them and Skyfall. The session will detail life behind the lens and processes behind the scenes that contribute to the overall feature.
Fashion film consultant Niccolò Montanari will provide an overview over how far fashion film has come over the years as a genre. Welcoming SHOWstudio’s Head of Fashion Film Raquel Couceiro to discuss the topic, the talk will highlight outstanding examples of fashion films in order to explore the wide range of content that falls under this term.
Nowness is an online global video channel that launched in 2010. It celebrates the art of the short, exploring themes of art, design, fashion, beauty, music, travel, fashion and food. Michael Lewin, commissioner at Nowness will explore their unique programming, discussing what they look for in inspiring shorts and how to release your films online.
Renowned Editor Jaime Estrada-Torres will share his experience of working with notable filmmakers such as Stanley Kubrick and Werner Herzog. Estrada-Torres will reflect upon working with both analogue and digital, looking at how the evolution of technology has opened editing up to all practitioners with little need for investment.
Thunderbird Releasing have distributed films such as Paterson, Toni Erdmann, A Quiet Passion and My Life as a Courgette. Kevin Chan, Acquisitions Manager will explain how distribution works and what he looks for in a film in the contemporary cinematic landscape. Moreover, he will explore how to develop your audience.
BFI NETWORK works with leading UK film agencies, supporting practitioners in their career development. Working across the talent initiatives of the organisation, Lou Phelps offers insight into what funding and development opportunities are available, and how to build connections.
Nicola Lees, producer of the Women in Film and Television Mentoring Scheme, chairs a panel discussion with Emma Edwards, Sunny Teich and Zeb Achonu, figures that are at the forefront of craft-based, technical roles within the industry. The panel explores what women can do to overcome career obstacles.
Minnie & Fraser Ayres from TriForce Creative Network look at practical solutions to the ever-expanding debate on representation and the media, as well as issues such as gender, sexuality and the socio-economic climate. Crowe speaks about creating opportunities for everyone, regardless of background.
This session is hosted by Peter Collis, Head of 360/3D Film Production at INITION. Collis will explore the emergence of VR filmmaking and examine factors in VR cinematography including stereoscopic capture, spatial audio and the editing process: he will also highlight some of the obstacles when working with VR and how to overcome them.
Seed Animation Studio has created content for clients including MTV, Nickelodeon and Coca-Cola. Founder Neil Kidney will draw upon his unique, industry-led experience and discuss the importance of including your own imagination in projects. Moreover, he will provide relevant information about what it’s like to work in a hands-on studio.
This session will be hosted by Julian Foddy from the acclaimed VFX Company, Industrial Light and Magic (Lucasfilm’s VFX studio), whose credits include Kong: Skull Island, Black Panther, Doctor Strange, Thor: Ragnarok and Rogue One: A Star Wars Story. Using examples of their work, the speaker will discuss visualising new worlds.
Stu Aitken Creative Director, Axis Animation and Paul Schleicher Executive Producer, axisVFX have worked on a variety of games. They will discuss the principles of design to ensure that your VFX and animation budget makes it to the screen. They will give an insight in to how the pre-production process can be used to ensure you impact your audience.
Sue Austen is a lecturer at The London Film School. She has produced feature films and television dramas for BBC, ITV and C4 and has twice been nominated for BAFTA awards, her film credits include River City and The Key.Austen will discuss the role of the producer, from development to each vital stage of production.
Leila Monks, Co-Founder of Antidote Productions, has produced Professor Green: Suicide and Me and YouTube Revolution. Monks will share information vital to any filmmaker working in the factual form, including a threefold plan: developing sellable ideas, attaining commissions producing a must-see documentary.
Ivan Chandler, Founder of Musicalities Limited has worked as a music supervisor, music copyright licensing consultant for a range of clients including Aardman Animations, Discovery and IMG Media. Chandler will explore the use of music in films, how to select the right music for your film and information on licensing.
RADA is a world-renowned training centre for actors with alumni including Sir Kenneth Branagh, Sean Bean, Ralph Fiennes, Gemma Arterton and Tom Hiddleston. Edward Hicks, Head of Film, TV & Radio at RADA will examine the director-actor relationship and advise on how to successfully create a dramatic piece.
Niccolo Montanari will host a session with panelists Erika Trotzig from Studio Private, Director Justin Anderon and i-D Global Executive Producer & VICE UK Digital Programming Executive Eloise King. The topic will focus on how fashion film is relevant from an advertising point of view? And what is its relationship with photography?
This is your chance to find out what programmers look for when selecting films and to ask questions about how the selection process works. Join an esteemed panel from today’s leading companies, including programmers from Aesthetica Short Film Festival, Edinburgh International Film Festival, London Short Film Festival and Sheffield Doc/Fest.
Production Designer Jacqueline Abrahams’ credits include The Women in Black 2: Angel of Death, Wallander (BAFTA TV Award for Production Design) and the Oscar-nominated The Lobster. She considers the role of set design in film and television, discussing how to bring both universal landscapes to life. This session will be conducted over Skype.
Nic Morris has worked on TV series such as The Loch and Doctor Who. He will discuss what role cinematography has in cinematic storytelling in television and film. Morris will also reveal his own distinct creative process and how he achieves his vision, providing vital advice on how to break into the industry during the competitive age of cinema.
With credits that include Black Mirror the Oscar-winning Still Alice, The Two Faces of January, Wuthering Heights and Fish Tank, Nicolas Chaudeurge is an expert in the field of editing. In this unique session, Chaudeurge offers insight into his role, and the difference in shorts and feature films, whilst also commenting on collaborative relationships.
Build your contacts list and gain industry tips at ASFF Events. Our industry sessions programme invites delegates to discuss and debate key themes and issues in the world of cinema. Meet industry leaders at our networking sessions, and connect with UK and international festivals at the ever-popular Meet the Film Festivals marketplace. Expand your contacts list and interact with your peers at Morning Coffee Hour - a daily networking opportunity to kickstart a day of screenings.
Raising the curtain on ASFF’s seventh anniversary edition is the Opening Night at York’s own riverside arthouse cinema and live performance venue, City Screen. The event features a dynamic taster of top films from the festival’s Official Selection, followed by an after-party. Guests will receive a complimentary drink, as well as an ASFF VIP Bag filled with goodies.
A specially curated programme of short films from the Official Selection, these screenings are designed to show the best of short film to young people aged 11-14. These young festivalgoers can nominate their favourite film for the York Youth Award. This programme will inspire young people to develop a life-long relationship with cinema.
Kick back in the City Screen basement bar and enjoy the sounds of Motown, Funk and Northern Soul. This is a great event to attend, network with fellow attendees, filmmakers and delegates and have a chat about all things film related. Or grab a drink and just enjoy an electric and fun atmosphere with some of the best hits from the era.
Here is your chance to view the films that kicked off ASFF 2017. The Opening Night films present a range of genres and filmic styles from comedy, drama and animation to thriller, fashion and music video. The presentation is a great introduction to ASFF for first-time festival visitors – a chance to see in one screening the breadth of films on offer.
Immerse yourself in the fashion film arena at the London College of Fashion’s drinks reception. This is your chance to speak with figures and creatives from one of the country’s leading institutions and to learn about the ever-popular genre within the atmospheric location of Barley Hall, a reconstructed medieval townhouse. Capacity is limited.
Located in York’s vibrant Latin Quarter, 1331 is the ideal place to start the weekend ahead. Alongside its role as a festival venue and ASFF’s official restaurant and bar, 1331 is a go-to place throughout the festival, playing host to the festival’s Friday Night Party, where you can connect with friends old and new in a relaxed and friendly atmosphere.
The perfect platform to interact with film aficionados and experts alike, we offer a professional, yet relaxed environment in which to discuss both current and future projects, and to establish connections. Returning to the Dean Court Hotel, a stone’s throw from the beautiful York Minister, ASFF welcomes representatives from institutions throughout the UK.
Speak with the programmers behind leading UK and international festivals and tune in to what they are looking for at this unique networking event. This is a prime opportunity to chat to creatives from organisations including London Short Film Festival, British Urban Film Festival, Cabriolet Film Festival, Edinburgh International Film Festival, Encounters and more.
Engage with industry representatives and filmmakers from Creative England, Scottish Film Talent Network, and Ffilm Cymru Wales within the riverside bar Pitcher & Piano. This is your chance to meet with all the agencies in one location to learn more about funding and opportunities for filmmakers. Limited Capacity.
Get to know the creatives at the heart of ASFF 2017 at York Theatre Royal on Saturday night. This event invites filmmakers and guests to network with established and emerging practitioners from the Official Selection. This is your chance to expand your contacts and liaise with industry professionals, fellow filmmakers and creatives.
A series of curated guest showcase screenings from organisations throughout the UK. This year’s guest institutions include London College of Fashion, the University of Lincoln, Random Acts, London Film School, Falmouth University and Northern Film School and York St John University. Screenings are free with a valid Festival Pass.
Head down to the City Screen basement to catch up with friends old and new. This is a laid-back hour where you can grab yourself a coffee and chat to filmmakers who are screening at ASFF as part of the official selection. Network, discuss future collaborations and plan the rest of the festival in a friendly, all-inclusive and relaxed environment.
Watch from over 200 short films made by young artist filmmakers in one interactive exhibition made up of individual touchscreens. These award-winning films span a range of art forms and topics – from krumping and parkour dance shorts, to an animated tale of teenage love that unearths our desire to be as cool as the zines we read.
Join us for an intimate Q&A session with the Official Selection filmmakers as they discuss topics such as Funding Your Film, Working with Actors, and Realising your Dream. Taking place every day of the festival at the centrally-located City Screen cinema, the Panel is an ideal way to kick off screenings and festival events by networking over a cup of coffee.
ASFF’s Videotheque provides an opportunity to experience the entire programme in one location. Held within the recently refurbished Explore York, this new festival resource invites pass holders to delve into our diverse Official Selection catalogue, plus specially curated line-ups. Missed a film? Looking for something particular? See it here.
Returning for a second year are ASFF’s specially tailored screenings for parents and carers of babies from 0 months to two years old. As an inclusive festival, we have organised showings in a relaxed and welcoming environment where you can park your buggy and enjoy great film. Films are selected for adult viewers and rated 15 max. Free with Festival Pass.
The National Centre for Early Music plays host to the festival’s closing ceremony, offering an elevated and historic finish to the five-day run. Festival Winner, Northern Film School Award for Best Screenplay, category winners and the People’s Choice will be announced and congratulated within NCEM’s medieval hall. The ideal way to end the weekend.
Upon purchasing your Festival Pass and/or Event Tickets, you will receive a receipt by email. This receipt is not your pass or ticket, and must be exchanged for a pass or ticket at the Festival Hub at Visit York.
The Festival Hub will be open 9:00 - 17:00 Thursday 3 - Sunday 6 November 2016. Tickets cannot be collected before this time.
If you would like to collect your tickets after 17:00 during the Festival, you can do this at 1331 Bar and City Screen.
Seating at screenings is allocated on a first-come, first-served basis. Seating is not reserved at screenings, and a Festival Pass or ticket does not guarantee you a seat at your chosen screening.
Festival staff will be present at all venues, and will be able to advise you on venue capacity and available seats when you arrive.
Please note that the majority of screenings will be certificate 12A with some certificate 15.
A special Family Friendly programme will be screened throughout the Festival. Family Friendly screening 1 is suitable for young children, while Family Friendly 2 & 3 are suitable for children aged 8+. Please see the festival programme for Family Friendly screening times.
Event details, including speakers, times and venues, are subject to change.
Please note that in order to purchase a Student Ticket, you must have a valid student card as proof of ID. The student card must be valid during the festival and must be shown in order to collect your Festival Pass. Festival Passes with a student discount cannot be issued without a valid student card.
For information regarding refunds and deliveries, view our Refund and Delivery Policy.