Kino/Film: Soviet Posters of the Silent Screen, GRAD, 17 January – 29 March 2014

As the UK/Russia Year of Culture begins, GRAD (Gallery for Russian Arts and Design) collaborates with Antikbar to present Kino/Film: Soviet Posters of the Silent Screen. This exciting exhibition examines the golden age of Soviet film posters from the 1920s, co-curated by Elena Sudakova, director of GRAD, and film critic and art historian Lutz Becker. The show runs from 17 January to 29 March 2014.

The 1920s saw the advent of new and radical graphic design created to advertise silent films across the Soviet Union. Film posters of this era have become masterpieces in their own right, produced at a time when innovative on-screen techniques were being incorporated into the design of advertisements. Over 30 works by the brothers Georgii and Vladimir Stenberg, Yakov Ruklevsky, Aleksandr Naumov, Mikhail Dlugach and Nikolai Prusakov, will be on display.

A relatively new art form, film matched the revolutionary ethos of an emerging generation of artists for whom fine art was deemed bourgeois. The advantages of using film as a propaganda tool for the largely illiterate masses were not lost on the government, who supported the burgeoning film industry. A state-controlled organisation, Sovkino, managed the distribution of foreign films, including those from the US which were very popular; profits were used to subsidise domestic film production. These Soviet films soon gained an international reputation through feature-length masterworks such as Battleship Potemkin.

To accompany the exhibition GRAD will host screenings to showcase the innovative techniques employed by the poster artists and film-makers of this era. Excerpts of seminal films Battleship Potemkin, October and the ground-breaking documentary, The Man with the Movie Camera, will highlight the symbiotic relationship between the pioneering vision of directors such as Sergei Eisenstein and Dziga Vertov and the output of the poster artists engaged to promote them.

Techniques such as cinematic montage, repetition, asymmetric viewpoints and dramatic foreshortenings were used in the creation of both the films and the posters, leading to the appearance of a distinctive and highly influential body of design. Mass produced during the 1920s, the posters were made for one use only and few originals survive. The exhibition at GRAD is a rare opportunity to see these seminal works, many of which have not been exhibited in the UK before.

For more information visit www.grad-london.com

Credits
Courtesy of GRAD and AntikBar